Type designers, educators, historians, engineers, and users select the year’s best new font releases.
Stenciled letters are not new, but Marlene Stencil is unlike any other display face. Though it consists of letters whose strokes, curves, and branches have been strategically excised to correspond with industrial letters, its 18th century features and whirling swashes more than make up for their absence. Partly inspired by the engraved penmanship of the Englishman George Bickham, the resplendent Marlene Stencil is a contemporary display face in every sense of the word; the logical capstone of the Marlene typeface system.
Marlene Stencil boasts a quintet of alternate swashes per glyph; it includes ligatures, indices, and international currencies. The swashes are available in Titling Alternates or Stylistic Sets and can be tested online with the PDF Tester.
Marlene Stencil supports all Latin based European languages: Afrikaans, Azeri (Latin), Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Finnish, French, Friulian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Interlingua, Irish, Gaelic, Italian, Kurdish (Latin), Latvian, Lithuanian, Luxemburgish, Malay, Maltese, Māori, Norwegian (Bokmål, Nynorsk), Polish, Portuguese, Rhaeto-Romanic, Romani, Romanian, Sámi (Inari, Lule, Nrthern, Southern), Serbian (Latin), Slovak, Slovene, Sorbian, Spanish, Swahili, Swedish, Turkish and Welsh.
Contemporary display typeface combining few different historical styles and boasts a quintet of alternate swashes per glyph which make it perfect for experimenting with text, titles or signs.
4 weight. 4 OpenType Fonts. 4 Web Fonts.
Designed by Nikola Djurek with Marko Hrastovec.