Typonine Web Fonts
Use Typonine fonts for your website!
No more limitations to ‘web-safe’ fonts.
Thanks to Typonine Web Font Service (Type Applications), a font-embedding system based on W3C standards, you can now use Typonine fonts on your web site. It is secure and reliable, and all available font files are hosted on a global network of servers (cloud hosting). The system supports true small caps and various styles of numerals.
Find out more about features and implementation at www.typonine.com/webfonts.
Beautiful Nota - New from typonine
There can never be enough high quality text type families, therefore, we are releasing one more! Nota is a sans, and is the best choice for setting texts that require continuous reading and contemporary character. It can be used for brochures, magazines and many other materials. Unusual, gentle and pleasant, Nota is not a typical sans typeface, the roman styles are 2 degrees slanted for a softer, humanistic character. It comes in 4 weights, Normal, Medium, Bold and Black + Italics, all gentle and pleasant, with renaissance proportions. Nota is available now on Typonine, and just waiting to be explored & tested with the OpenType font tester.
Invertype
Invertype is a monospaced, monoheight inverted typeface intended for outdoor use. It was created in 2008-09 by Dario Dević, mentored by Nikola Djurek and Damir Bralić, at the University of Zagreb School of Design.
Its purpose is to enable a regular person to communicate on a mass scale using as least as possible material. This way, you can plaster the city with your message using only old, once-used sheets of paper and almost no printer ink.
Each glyph fits onto a standard sheet of paper so it can be printed easily at home with an A4 or A3 printer. The letterforms are inverted, so the amount of ink required to print them is extremely reduced. It doesn't require any knowledge of typesetting or software — it can be used at www.invertype.com by anyone with a web browser.
Typonine Sans NEW !!!
T Y P O N I N E S A N S
We bring you a new member of Typonine family, Typonine Sans! Behind the simple name, there is quite large font family for wide range of use. It is consisted of four versions: Typonine Sans, Typonine Sans Condensed, Typonine Sans Monospace & Typonine Sans Hairline. Beside Hairline, each version has five styles, Light, Normal, Text, Medium and Bold, with matching Italics. Typonine Sans Hairline is a display typeface available in two versions, Regular and Condensed.
It would be best to check it out yourself!
Typonine fonts among BestTypefaces of 2008
It is that time of year when Typographica makes a list of their favorite typefaces of the past year. This year the list is a bit longer, 40 typefaces released in the 2008 are chosen by the type educators, expert users of type, type critics, type historians,
type technicians, and type designers themselves" and "each selection has proved itself enough to be chosen as an exemplary
model of what happened in the world of type design last year." Among the chosen ones are three fonts by Nikola Djurek; Marlene and Typonine Stencil, released by Typonine, and Brioni released by Typotheque font foundry. Here are some of the selectors comments: "It is a joy to welcome a face like Typonine Stencil that is not based on a previous font and which has Dutch Oldstyle characteristics." Paul Shaw
"Marlene is an elegant, high contrast Egyptian face with a distinctive and contemporary calligraphic flourish. When I first saw it I was impressed at how incredibly crisp it was, as if drawn with a pen so sharp it could just as easily cut the paper as leave ink there." Aegir Hallmundur
"Brioni exhibits both great precision and a certain physicality: the touch of a human hand. It is the work of someone thoroughly comfortable with divergent ways of mark-making: from stone carving to calligraphy to Python." Caren Litherland
Read more about it at new, redesigned Typographica site.
"Marlene is an elegant, high contrast Egyptian face with a distinctive and contemporary calligraphic flourish. When I first saw it I was impressed at how incredibly crisp it was, as if drawn with a pen so sharp it could just as easily cut the paper as leave ink there." Aegir Hallmundur
"Brioni exhibits both great precision and a certain physicality: the touch of a human hand. It is the work of someone thoroughly comfortable with divergent ways of mark-making: from stone carving to calligraphy to Python." Caren Litherland
Read more about it at new, redesigned Typographica site.
Tempera Biblio 2.0 Update /31 03 2009
Tempera Biblio 2.0 Family is getting bigger. Beside six existing styles (Book A, Book A Italic, Book B, Book B Italic, Book C, Book C Italic) the updated version 2.0 has four more: Tempera Biblio Bold + 3 Tempera Biblio Wide styles, Book A, Book B & Book C. Also, extra set of Swash characters is included in all styles. Feel free to test this new features with our font testers!
New Typonine website
Check out new features as well as our two new testers. Layout tester enables combining all Typonine fonts in various weights and sizes; and with OTF font tester you can explore open type features of all of our fonts. Enjoy and expect some new releases soon.
Marlene, new typeface family!
Marlene, contemporary text typeface available now on Typonine!
It is a contemporary elegant serif typeface, based on pointed pen construction, made for continuous reading with large x-height, therefore it is ideal for use in books, magazines and other publicatons where you need a contemporary feeling. Marlene is available in OpenType Pro format (as well as Type1 for MAC & PC) in four weights: Light, Regular, Medium & Bold, and in Italic styles.
You can take a better look at Marlene and test it with our OpenType font tester!
It is a contemporary elegant serif typeface, based on pointed pen construction, made for continuous reading with large x-height, therefore it is ideal for use in books, magazines and other publicatons where you need a contemporary feeling. Marlene is available in OpenType Pro format (as well as Type1 for MAC & PC) in four weights: Light, Regular, Medium & Bold, and in Italic styles.
You can take a better look at Marlene and test it with our OpenType font tester!
Oris magazine uses Tempera typeface!
Oris magazine uses Tempera typeface!
Recently redesigned Oris, magazine for architecture and culture, uses our Tempera as a main typeface. You can see more samples of it at Typonine Fonts In Use section.
Recently redesigned Oris, magazine for architecture and culture, uses our Tempera as a main typeface. You can see more samples of it at Typonine Fonts In Use section.
Amalia is among FONT STARS!
Amalia is among FONT STARS!
FontShop composed a CD-ROM with selected weights of noteworthy new typeface releases from 2007. Among them is Amalia! The CD-ROM costs €499, and includes text faces with all necessary weights to allow you to compose professional text, and the display faces which are varied and useful. You can read more about it at FontShop!
FontShop composed a CD-ROM with selected weights of noteworthy new typeface releases from 2007. Among them is Amalia! The CD-ROM costs €499, and includes text faces with all necessary weights to allow you to compose professional text, and the display faces which are varied and useful. You can read more about it at FontShop!
Djurek Nikola is among 7 type-designers in IDPURE Magazine
Djurek Nikola is among 7 type-designers in IDPURE Magazine
IDPURE is a magazine dedicated to professionals working in the graphic arts, images and design, as well as to those working in the areas of creation and visual communication. It is also addressed to people who are sensitive to and interested in their visual environments. IDPURE offers a comprehensive picture of the world of creation in Switzerland and abroad. It also provides a meeting place between professionals and customers in the domain. This issue, #12, includes interviews with Kai Bernau, Anton Koovit, Pascal Zoghbi, Christian Schwartz, Frederik Berlaen, Xavier Dupre and Nikola Djurek.
IDPURE is a magazine dedicated to professionals working in the graphic arts, images and design, as well as to those working in the areas of creation and visual communication. It is also addressed to people who are sensitive to and interested in their visual environments. IDPURE offers a comprehensive picture of the world of creation in Switzerland and abroad. It also provides a meeting place between professionals and customers in the domain. This issue, #12, includes interviews with Kai Bernau, Anton Koovit, Pascal Zoghbi, Christian Schwartz, Frederik Berlaen, Xavier Dupre and Nikola Djurek.
Amalia among Typographica Favorite Fonts 2006.
Amalia is among Typographica Favorite Fonts 2006.
Typographica is a journal of typography featuring news, observations, and open commentary on fonts and typographic design. Every year they make a list of best new fonts released in the previous year. Amalia is on that list! Here is the comment: “On first viewing, Amalia presents an attractive tension between the deeply familiar and that agreeable tingly sense of nearly i mperceptible novelty. Looking closely reveals a type family quietly breaking conventions of matching serifs, modes of contrast, and letter shape — all to good effect. Amalia is as masterful in its italic and small caps as in its roman. In fact, the italics are surprisingly pleasant to read. With its classically Dutch set of proportions, Amalia feels open and approachable despite its Didone contrast usually associated with formality and authority. It also features a finely restrained but almost cheeky exuberance. Amalia is a breath of fresh air, deserving the attention of both type designers and users.” — Eben Sorkin Test & Buy Amalia at www.ourtype.be
Typographica is a journal of typography featuring news, observations, and open commentary on fonts and typographic design. Every year they make a list of best new fonts released in the previous year. Amalia is on that list! Here is the comment: “On first viewing, Amalia presents an attractive tension between the deeply familiar and that agreeable tingly sense of nearly i mperceptible novelty. Looking closely reveals a type family quietly breaking conventions of matching serifs, modes of contrast, and letter shape — all to good effect. Amalia is as masterful in its italic and small caps as in its roman. In fact, the italics are surprisingly pleasant to read. With its classically Dutch set of proportions, Amalia feels open and approachable despite its Didone contrast usually associated with formality and authority. It also features a finely restrained but almost cheeky exuberance. Amalia is a breath of fresh air, deserving the attention of both type designers and users.” — Eben Sorkin Test & Buy Amalia at www.ourtype.be